CHAOZHOU ZHUNI CLAY
Siting Teapot
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Product story
PRODUCT STORY
The Siting (思亭) form is named after Lu Siting, a potter working in Yixing in the Qing dynasty. In Chaoshan his name sits alongside Meng Chen and Yi Gong — the three small-pot makers whose forms local tea drinkers have used for generations. Of the three, Siting is the one you reach for when the tea deserves attention: a low rounded body, a lid that sits slightly proud, a spout that pours clean and stops clean.
This one is made in Chaozhou, in zhuni — the red clay dug locally here — and thrown by hand on the wheel in the Chaozhou way.
It is fully hand-thrown. No mould is used at any stage. The body is pulled up from a spinning lump of clay; the spout, handle, and lid are then cut, shaped, and fitted by hand. The lid is fitted to this pot and no other. It will not fit another.
Zhuni shrinks heavily in the kiln, and pots crack, warp, and go out of round on the way through — of any batch, six or seven in ten come out usable. The rest go back.
80 ml. Three small cups — the traditional Chaoshan pour, where the pot is emptied completely into three cups set in a triangle and refilled straight away. This is the size gongfu tea was built around, not a scaled-down version of something larger. At 70 g it is light enough to lift, pour, and set down with one hand, which is how it is meant to be used.
WHY FULLY HAND-THROWN MATTERS
Shaped from start to finish at the wheel by Cai Danjie, each pot demands sustained control of the clay, followed by careful cutting, fitting, and refinement. Nothing is mechanically repeated: the proportions, balance, lid fit, and pouring character belong to this individual pot. Small variations are not flaws, but the visible record of the maker’s hand.
ARTISAN & CERTIFICATE
Cai Danjie has worked at the wheel in Chaozhou since 1999, under the studio name Hexing Tang (合兴堂). In 2024 he was certified in ceramic techniques under Guangdong Province’s professional title system. Every pot leaves his workshop with a collection card he fills in and signs by hand — form, clay, capacity, date made, and number.
PRODUCT DETAILS
Form: Siting (思亭) teapot
Material: Zhuni clay, locally sourced in Chaozhou
Craft method: Fully hand-thrown by Cai Danjie, no mould
Color: Warm red
Capacity: 80 ml
Height: 6.5 cm
Mouth diameter: 4 cm
Weight: 70 g
Wall thickness: 1.5–2 mm
Firing temperature: at least 1,140°C (2,084°F)
Full-pot pour time: approximately 9.5 seconds
Filter holes: 7
Place of production: Chaozhou, Guangdong, China
WHAT IS INCLUDED
One teapot and one signed maker’s collection card, completed by hand. Bowls, cups, trays, and other styling props shown in the photographs are not included.
CARE
Rinse with warm water before first use. Avoid detergent, dishwashers, and sudden temperature changes. Let the pot dry completely with the lid removed after each use.
Zhuni darkens and gains a soft sheen with years of use. That change is normal and is considered part of the pot.
Please note: hand-thrown teaware varies in colour, shape, and finish from piece to piece. No two come out the same. That is the point.
THE MAKER
Thrown by hand by Cai Danjie (蔡淡杰) in Chaozhou, Guangdong. He holds the intermediate professional title of Craft Artist (工艺美术师) in Ceramic Arts, conferred in August 2024 by the Jieyang Municipal Human Resources and Social Security Bureau, Guangdong Province. Certificate No. 2452003010242.
Materials & origin
- Material
- Zhuni clay
- Origin
- Chaozhou, Guangdong, China
- Craft method
- Fully hand-thrown
- Maker
- Cai Danjie
Dimensions & capacity
- Capacity
- 80ml
Care
Rinse with warm water after use and allow the teapot to dry completely with the lid removed. Avoid detergent, dishwashers, and sudden temperature changes.
What is included
One teapot and one signed maker's collection certificate.
Shipping, returns & contact
Shipping options and applicable charges are shown at checkout after a destination is entered.
MADE ONE VESSEL AT A TIME
Variation is part of the craft.
Subtle differences in tone, surface, and hand-finished detail are natural characteristics of handmade clay teaware. Each piece should be understood as an individual object rather than a factory-identical copy.